Blood Ties

Digital Film Design | Kely McClung | Robert Pralgo

Crew of Three (Thailand)

Troy becomes the 'one man crew', as well as the dolly, the crane, the ...

For some reason, in the 5 total trips I've been to Thailand, regardless of the time of day I've left Atlanta or which airline, I always arrive at 10 minutes till midnight. After nearly 27 hours in the air, I arrive pretty much schizto - both wiped out and wired. And of course now, even more so - I'm here to make a movie!

We pretty much hit the ground running. Troy and I came off the plane, found our luggage (praying it would arrive - more on that later), waited through Customs, pushed our way through the wall of humidity and the thick curtain of exhaust fumes, chose between the bombardment of public and 'private' taxi's, and headed for Chinatown.

A quick check into the hotel at 1 am - a basic 12 foot concrete box, but basically clean, and with ice cold air conditioning and a private bathroom, a miniature refrigerator and a 13 inch TV with 'cable' - 5 channels in Thai, about the same in Chinese, and one in Korean.

Bangkok China Town

Perhaps the only negatives were the slow elevator, which doesn't sound like much of problem but since we were on the 11th floor and would have to come in and out to regroup or gather up different equipment or make wardobe changes, 5 and 10 minutes several times a day became annoying; and two, Troy managed to hit his head on something somewhere nearly every time I was with him! We of course shlepped up and down the stairs, but many times were physically exhausted from the nature of the movie, and Troy got used to the lumps on his head.

An hour walk down the main Chinatown street, Thanon Yaworat, and Troy was already snapping photos. We called it a night at 3 am (was it really night?), and I was up 2 and 1/2 hours later shooting my first shots for the movie with the sunrise.

Bangkok is alive nearly every minute of the day, and those shots from my first morning are prominent in the film. The morning taxi stands, the man pushing the cart of gorgeous flowers, the boxes and cases of food being pushed down the street were all cut with the scene of Rob tied up on the rooftop - again, our fortuitous location - the 15 story rooftop of our hotel.

The first days were a absolute joy - a dream coming true - in a beautiful, exotic country to direct my first film, but I was also feeling the pressure. I was here to make a movie! We had been here only 48 hours and had only shot traffic (these shots are also in the final film, including the overhead shots used in the tuk tuk chase). We needed to find and adapt lots of locations, find actors and stuntmen, search for a beautiful girl (part of the story I swear), and make sense of where we were and the possibilities being brought to us. And I had only given us 5 days to be up and running!

Chinatown has its' own look - the neon signs, the wide avenues strained with traffic of every form. Chinatown is also famous for its' fresh seafood, birds nest soup, and fresh shark fin, crowds and traffic jams. For me, and certainly this film, a nearly perfect place to make a movie.

"I am sure it would take another 2 and 1/2 years to tell all the stories and explain the madness which became the method."

Though I speak enough Thai to ask directions or where's the bathroom, and the fact that many Thai's speak English quite well, it quickly became apparent that language would be a problem. By Day 3, Troy and I were convinced we needed a full time translator.

The luck we had created by the"doing" was amazing, and worthy of an entire book (or at least an ice cold Singha and a real Italian pizza - as opposed to some of the seafood mayonnaise concoctions presented as pizza), but I'll tell of two instances here.

First, we arrived on a Monday morning (12 am) and by Wednesday, I had decided to actively seek a 'translator' and guide. Troy and I headed for the tourist destination of Kao San Road - backpacker's paradise. Cool bars, hot chicks, some of which were really guys, McDonalds and Burger Kings competing with fried grasshoppers and 10 baht (40 cent) noodle dishes, TV's and pool tables, blasting stereos and streets lined with everything it was thought that a tourist might want; literally thousands of backpacking tourists hanging out, getting drunk, partying or recovering from parties, culture shock, and jet lag; sports bars and discos, pharmacies and massage parlors; but no signs for translators for no budget guerilla action movies. More coming soon...

Chinatown Kidnapping When we filmed the kidnapping, which would serve as the impetus for Jack returning to Thailand, everyone was of course worried about what might happen with on looking crowds. I can honestly say that most people ignored us, but I am sure the first time we did it, no one really cared. In other words, seeing an American snatched and beaten in the middle of the street did not seem to bother them. Of course, 3 or 4 times later, they were in on it, and realized it was staged. We could have never gotten away with it if it were not for the nature of the Thai people to ignore crazy farangs (foreigners) with their video cameras.

I need a Jungle! Imagine making a movie with money tight enough that even a meal had to be carefully considered. Then imagine your 'director", who has dragged you across the world to make his first film tells you we absolutely can not go home without filming in the jungle. And oh yeah, by the way, I think its a few hours north or south, and we can rent a driver and van for the day, hire a dozen people we've never met before to be in the film, meet at 3:30 am and head out, accomplish something worthwhile and be back before the day is over. All this, I threw on Rob's shoulders, and half asleep, we headed north.

Stuntmen and Taxi Drivers In the big warehouse fight (a location we negotiated on and then had to sneak into), the bulk of the fighters were not stuntmen. With this amazing, sprawling location, I told Erik I needed 20 guys. He came on time, and managed to deliver 18. After the first takes of frustration, (a great location, 18 guys, and no one speaks English or knows anything about films or can actually fight), Erik confessed he had rounded them up from the local taxi stand. Fortunately, we were brave enough to sneak back in, and film some of the pro's to intercut and take advantage of the location. Still, I needed all the bodies and am extremely thankful.

The Amazing Sarin I can not say enough good things about Sarin. Even though by the end of the shoot she resented me for keeping her as my guide and translator instead of being the "lead actress", and many times she was furious with me until the instant I said action, she always knew her lines, gave absolutely believable performances, fell completely into her character, and bottom line, made our movie better. I have been critized by some of my Thai friends for not seeking out a girl they thought was more the way they wanted represented, (Sarin is from Issan province in the North East - near Laos) but I can not imagine having better performances from anyone.

If I'm the one kicking every bodies ass - why am I so tired? Training in a gym, lifting weights or beating on the heavy bags, is not the same as going 8-10 hours a day in 100 degree heat and high humidity, carrying equipment, walking, blocking, and searching through strange environments and fighting with guys who are either great 'real' fighters and not stuntmen, or with professional stuntmen who are not really fighters. Especially since the story called for me to go through one after another. Though I am pretty confident in almost any situation, let me say - thank God it's just a movie!

Buddy Stunt Group We'll talk about Erik later, but early on he introduced me to 5 core members of the Buddy Stunt Group. These professional stuntmen have worked on most of the major and dozens of the smaller films done in Thailand; On Bak, Alexander the Great, Journey Around The World in 80 Days, and have worked with Jackie Chan, Jet Li, Steven Segal, Jean Claude Van Damme, and now of course - Kely McClung! They are absolute proffesionals, and within a day of work, when they realized I was out to make everyone look good, I was able to win their respect as a film maker and a martial artist.

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